I write this review with utter disappointment and despair. I am more sad than frustrated or irritated. Cant believe that a film maker like Mani Ratnam could make such a movie. Infact, when i heard from so many people thats its pretty bad, i assumed that they would not have understood the plot and Mani would have made it too 'Interpretative'. But sadly i annoucne, that the movie is just one of the worst i have seen in recent times. It is just plain boring. It had the most promising Storyline on paper, but unfortunately it stayed only on paper. The execution was as bad as it could have got. Actors are hamming to the core. Dialogues are pathetic. Narrative is slow. Music is as if Rahman just went to some old box of music sheets and gave it to Mani Ratnam as he was too busy composing for some international project. Background score is cacophonous to say the least. The only redeeming factor was excellent cinematography by Santosh Sivan, a few interpratations of Ramayana which were very thoughtful and... hmmm.. nothing else actually.
The plot itself was the backbone of the film. Imagine taking Ramayana and giving the 'Good vs Evil' a whole new interpretation. According to me, the central theme was 'Good is Who does Good' and nothing can be described in Good vs Evil just by itself. In the movie Raavan doesn't kill anybody in the movie who is not a policeman. He even leaves Ram and Laxman Alive when he gets his chance as well. But Ram uses Sita as a tool to kill Raavan. How Ram can become Ravana and how Ravana can be a hero just by their deeds. Phenomenal Storyline but the execution screwed it all.
One problem that i found was with the marketing, even the name of the film itself. When you name a movie 'Raavan' you already disclose every single thing about the plot and the audience is never interested in the story because they already know about it. Its a different high altogether when you go to the cinema hall and then 'decode' the inferences to the epic. Thats what raajneeti did amazingly well. You dint know it was based on mahabharata but as you went ahead in the movie, you started drawing parallels and had that 'ohhhh.. thats a nice way of putting things in perspective' expression. It would have been much more interesting had he not disclosed that it was based on ramayana. Then, 'finding' out that its based on the epic would be much more exciting and gripping. The characters like ram, sita, raavan, hanuman, laxman, supranakha,vibheeshana would make more sense.
As already established, it was amazingly written on paper in terms of giving a new dimension to the epic's interpretation. I just loved the parallels that mani drew with laxman cutting supranakha's nose and in the movie it is done through her rape. Even in hindi Naak Katnaa is equivalent to rape/pre marital sex itself. I think that was amazingly put across but such instances were too few to quote.
I just wish that movie is made again without the 'Stars'. Abhishek bacchan was the worst of the lot. He hams more than KRK. Has no idea what is doing and why. Just flexing his facial expressions and doing a nana patekar here and there. Aishwarya is doing nothing but flaunting her cleavage in skimpy and amazingly tight blouses. I wonder how she was breathing. (PS : Though i am not complaining here ;D ) Govinda was pretty sweet in his hanuman portrayal. Rest nobody had anything to do anyways.
Music (specially background score) was Cacophonous to say the least. God knows why 'Ranjha Ranjha' started playing in Rekha Bhardwaj's spooky tone in one of the sequences which was irritating to say the least. Suddenly Ganesh Acharya comes in the middle of a song sequence. There was no head and tail with any song what so ever. They were just there coz film maker thought I have to have a few songs if i am paying rahman for the job.
Overall: One of the most disappointing movies in recent times. I still cant believe maniratnam screwed such a great story. I just wish somebody makes it again with no 'stars'.
Feel-o-Meter : 4 (which i think is on the higher side, but 2 each for a couple of 'interpretations' in the narrative were very thoughtful and good cinematography)
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